In culture we also suffer from chronodelinquency: the rhythms of projects faithfully follow the neoliberal mandate of acceleration and productivity. We propose to judge cultural institutions according to the Chronocriminal code of the ITS: in this case, a popular trial to MACBA by its workers and visitors, halfway between collective performance and political critique.

In the frame of Exhibition Lydia Ourahmane. 108 Días, we propose a popular trial to MACBA.

Come and judge!